Critical Views of Beowulf

Beowulf Critical views nonp areil of the oldest and most important remains of the Anglo-Saxon literary productions is the epic poem of Beowulf. Its age is unkn take merely it comes from somewhere between the 7th and the 10th centuries. It is standardised a piece of ancient armour rust-brown and battered, and yet strong. The style of the epic poem is a deal simple- perhaps one should say, austere. Beowulf is indeed the most made honest-to-god English poem because in it the elements, language, metre, theme, structure, are all most nearly in harmony.The antecedent seems mainly bent upon telling us how his Sea-Goth big money Grendel and the Fire-drake. The poem uncloudeds with an account of forefathers of Hrothgar the Scylding, king of Danes. He is the builder of Heorot, the hall where Beowulf contends with Grendel. The poem begins with the burial of Scyld, from whom the dynasty of Scyldings take its name. In ancient days, so ran the legend, scyld when he was child, was drifte d in an open boat to the shores of Danes.When coming thus out of the mysterious of the Sea the bark touched the land, the folk put the naked child lying asleep in the midst of arms and gems and golden treasure, took him up and hailed him king. As he came alone and mysteriously out of the sea, so he passes away alone and mysteriously into the sea, and the cornerstone of the poem describes his burial. With as many treasures he brought, with so many they send him away when he died. And as the poem begins with this burial, so it ends with the burial of Beowulf.His burial is zero mythic, nothing mystic surrounding it. Beowulf, dead later his fight with the dragon, and his gray hair lying nigh his hair, is borne to the top of the great cliff that overlooks the sea. The cliff has its own name, Whales Ness. The epic is divided into tether chief episodes. Yet these three episodes are substantially wrought and well diversified. They are not repetitions, precisely there is a change of wrestling with Grendel in the night at Heorot and the descent underwater to converge Grendels mother while the sentiment of the potassium hydrogen tartrate is different again.But the great beauty, the real value, of Beowulf is in its self-respect of style. The word Grendel, as Lawrence points out, can be associated with the Old English grund, i. e. ground, bottom, or watery depths that we find the lurking-place of Grendel and his mother. affinity WITH OTHER WORKS Frederick Panzer in 1910 published the results of a careful study of over 200 folk- storeys which make believe elements of resemblance to the Grendel story. These tales with all their variations of outline have plenty in common. One of these is the tale of The Bears Son.From the varying versions of The Bears Son, something like a central frame, or outline, can be reconstructed. An aged king builds a hall or house which is nightly haunted by a demon. The elder sons of the king are unable to sweep over the invader, bu t the youngest son, formerly held in little esteem, wrestles with the deuce and wounds him. The fight of the demon is marked by a trail of blood. An episode follows in which the hero fights in an underground lair of monsters often against a antheral and a female.His victory over them, sometimes by a use of a magic sword, frees unfree maidens who return to the upper world. But the hero is abandoned by faithless companions, and must without aid roam means of escape from the monsters home. The tale often ends with the punishment of the traitors, and the marriage of the hero with one of the rescued maidens. Similarities in this outline to the Grendel episodes of the Beowulf are, of course, general preferably than precise. But it seems clear that Panzer is correct in claiming that a relationship exists.